Poetry

Still here

Night is settling, the last flitters
of a piwakawaka glimpsed
between tall trunks of manuka
almost gone, hazy now, no dimension
to put a hand around to grasp.
 
I wait for you to come down
the hill, walking ginger on the path,
trusting in normal sense. I lean
into the night, listening for the clink
clunk of the latch. Still here.

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Poetry

The bread factory by the school gates

Every drop-off then was the smell
of hot bread from the ovens
behind the factory walls, made grey
in the memory by it always being wet
and dark, head-lights on.

When I drive past the road today
the smell of fresh baked bread
still breaks out of those same walls,
now Newberry’s Funeral Home,
where the ovens are hotter and sealed tight.

For no more than the symmetry,
it’s at Newberry’s I can be dropped-off
on a weekday, when there’ll be a fight
for parks, and everyone oblivious
to scented scenes of my young days.

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Poetry

Once seated

The old purple towel,
faded to dull lilac, placed
on the seat of the bent
picnic table. The grey wood
stained with black mould.
It’s chilly. But there’s sun enough
to sit for awhile. The dogs
in the neighbourhood are barking
like a modern jazz quartet.
The bass hungry, the drums excitable,
the piano just for fun,
the trumpet leading them on.

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Poetry

On this lucky earth

after W. H. Auden

Staring up from a field in Pakistan, your eyes
like the eyes of any child. Your face enlarged
on a poster, made so big it might be seen from the edges
of the human inhabitable zone on this lucky earth;
and viewed again on our screens, while eating
or bored in the common way, or just walking dully along.
The drones that hover their targets don’t see.

I sit outside a café at an unsteady table
on an uneven path, where another child, lifted high
on shoulders, waves her tiny hand. There’s a seamless sky
behind the weight of cherry blossom; and I’m unsure
whether to share with friends the image of you
—as pixels to the wind—or to simply forget
and build my delicate home the way I’d like it to be.

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Poetry

Big Love Song #21

after Arthur Rimbaud
 
It doesn’t mean a thing:
the pyramid eye
or the constellations,
not night’s scattered verse.

Smoking incense,
the bride’s dress,
the taste of dark wine—
it doesn’t mean a thing.

Neither does beautiful Paris:
the elegant avenues,
the asphyxiating decay,
the distant nausea.

Only your soft pure face
and the warm bed of home.

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Poetry

Our dog is like Frank O’Hara

our dog is like Frank O’Hara
aaaaaaalover of gregarious freedom!
we don’t want to train him—he’s untrainable
half wild, like a Coltrane solo
he takes free rein, takes it where it will go
he barks at everyone he sees        with no malice
he just wants to say hello
and tell everyone        he loves them
he can jump up in the air in crazy yelping pirouettes
he’s a bit of a show-off

he’s too quick footed for the big slow dogs
who can’t pin him down        there’s no easy walk
trotting along beside in regular rhythm
it’s all full tilt, nose down, tail up, pulling forward
choking against the collar—sudden stops
deviations         instant enthusiasms
abandoned for the next delicious scent        tiring
and exhilarating, like keeping up with Peter
when his brain’s exploding
T.S.Eliot mixed with obscenities

he sleeps close to us on the bed
any noise, 2am, 5am, and he’ll leap off
and run around barking in circles       it’s idiotic
and pisses us off
he wants to lick your ears in the morning
loves it when you scratch his head
he hardly eats, but likes to clean your plate
flies annoy him       (he’s mostly content)

he escapes often, being small and agile
always finding a new way to get out
we’re lucky he hasn’t been hit by a car
we would miss him a lot
aaaaaabecause he’s full of the genius of life
our dog
a destroyer of shallow boredom
like Frank O’Hara.

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Art, Poetry

I wish

I wish I was in Greenwich Village
reading Macbeth, legs crossed, a glass of wine at my ear.

Or in the Sistine Chapel
seeing Adam raise his dandy arm to bearded God.

Or in front of Socrates proclaiming
the revolution of reason, reaching for his cup.

Or in a Parisian café drinking absinthe
with poets, painters and philosopher junkies
in wrinkled collar shirts.

Or eating fruit with Manet and his companions by a lake.

Or crossing a bridge over the Sumida River in the rain.

Or shopping at Macy’s and seeing Adrian Piper
with WET PAINT on her top.

Or driving a bulldozer for the first time
through the Nevada Desert.

Or side-by-side with children flying their kites
through a hole in the prison wall.

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